Opening: Curator of Exhibits
The Ah-Tah-Thi-Ki Museum has an immediate opening for an experienced Curator of Exhibits. He/She will manage the museum’s Exhibits Division and oversee a staff of two people—an Exhibits Manager and an Exhibits Coordinator. General responsibilities include overseeing the planning, building and installing of exhibits relevant to the museum’s mission of interpreting and disseminating information on the Seminoles. Acting as a division head within the programming area, and reporting to the Programs Officer, he/she will be a vital and integral player on the museum staff. The Curator of Exhibits should be a team player and demonstrate a willingness to advocate for exhibition excellence, promoting esprit de corps, and promoting the museum’s unique mission.
Posted: August 4, 2011
Job Type: Full-Time
Job Duration: Indefinite
Min Education: Master's Degree
Min Experience: 5-7 Years
Required Travel: 10-25%
Job ID: 8432172
Position Title: Curator of Exhibits
Company Name: Ah-Tah-Thi-Ki Museum
Job Function: Exhibitions
Entry Level: No
Location(s): Clewiston, Big Cypress Reservation, 33440, United States
More here.
Wednesday, August 17, 2011
Opportunities!
CFP: Great Exhibitions in the Margins, 1851-1938
Great Exhibitions in the Margins, 1851 - 1938 University of Wolverhampton,
26-27 April 2012 Research has for a long time focused on world fairs, great exhibitions or
expositions universelles in the capitals of Europe and in the large cities
of the USA. Their crucial role in communicating ideas about the identities
of the exhibiting nations (and their relation to other cultures) and in
showcasing contemporary art and design has been examined in detail.
However, in the heyday of these spectacular events - in the second half of
the nineteenth and the first half of the twentieth century - smaller
cities and regional centres, such as Liege, Poznan, Edinburgh or
Wolverhampton, staged their own 'great exhibitions' modelled on those held
in the national (or imperial) centres. Their goals, although executed on a
more modest scale, were often the same and involved the promotion and sale
of goods but also communication of ideas, ideologies and identities. These
smaller shows usually had large ambitions and tried to engage not only the
local population but also national and international audiences and
exhibitors.
This symposium turns attention to the exhibitions of arts and industries
in the regions outside the capitals and to the assumptions that lay behind
them. Its main focus will be placed on their ambitions, originality,
relationship to the ��greater�� exhibitions and, in particular,
their engagement with visual culture. The questions explored may include:
- what ambitions motivated the idea of staging an exhibition in the
particular location and what were its objectives
- what was the long-term impact of the show on the region, nationally
and internationally
- how were the arts displayed at the exhibition and what role they
played
- what specific influence did exhibitions like the Great Exhibition or
Expositions Universelles in Paris have on the exhibitions in the margins?
The symposium encourages an inter-disciplinary approach to the topic and
papers are therefore welcome from scholars in a wide range of disciplines,
including the history of art and design, history, politics, anthropology,
ethnography, cultural studies etc. A network of researchers interested in
the subject of exhibition cultures will be created through the symposium
as further academic activities on the theme are planned (a publication and
a research network). News about the symposium and the research network
will be posted at http://greatexhibitions.blogspot.com.
Please send your paper proposals of up to 250 words to Dr. Marta Filipova
at Marta.Filipova@wlv.ac.uk by 1 November 2011.
-----------------------------------------------------------
Monday, August 15, 2011
LAST CALL FOR NOMINATIONS
Ames Prize for Innovative Museum Anthropology
The Michael M. Ames Prize for Innovative Museum Anthropology is awarded annually to individuals for innovative work in museum anthropology, which is understood to entail outstanding single or multi-authored books, published catalogues, temporary and permanent exhibits, repatriation projects, collaborations with descendant communities, educational or outreach projects, multimedia works, and other endeavors. Individuals can be nominated by any member of CMA. A letter of nomination and any supporting material should accompany a copy of the evidence of the work under consideration. The CMA President will appoint a prize committee of three people at the CMA Board of Directors meeting held at the AAA Annual Meeting. The prize committee will review the works and the prize-winners will be notified in advance of the annual AAA meetings so that they can consider attending. The prize winner will be announced at the AAA Annual Meeting and presented with a certificate of the award.
Nomination:
• Deadline: SEPTEMBER 1, 2011
• The nominator must be a current CMA member in good standing
• Self-nominations are allowed
• Hard copies or electronic copies of nomination packets and materials must be sent by the nominator to each of the three prize committee members
• Nomination packets should include a cover letter and the work under consideration (or evidence of it), as well as any supporting materials, such as letters of support, media coverage, DVDs, etc.
• Nomination packets will not be returned
Evaluation Criteria:
• Creativity: Is the project a unique and creative exploration of museum anthropology’s central themes, tensions, and histories?
• Timeliness: Does the project say something important about museum anthropology’s current predicaments and unknown future?
• Depth: In what ways does the project penetrate into the complexity of material culture and the study of it through novel methods and theories?
• Impact: Does the project have the potential to make broad and lasting impacts in museum anthropology?
Process and Rules:
• A three-person prize committee of CMA members, headed by a committee chair, will be constituted by the current CMA President at the annual AAA Board of Directors meeting each year
• The committee will be formally announced by January 15 annually, with the addresses of each committee member publicized
• All nomination materials must be received by September 1, although incomplete nominations may still be considered based on the materials provided
• If no qualified nominations are made, the prize committee may elect to refrain from presenting the award for that year
Instructions:
For the 2011 competition, send one copy of the nomination packet to each committee member:
Jennifer Kramer
Curator of the Pacific Northwest
Assistant Professor of Anthropology
UBC Museum of Anthropology
6393 NW Marine Dr.
Vancouver, BC V6T 1Z2
Canada
Email: Jennifer.kramer@ubc.ca
Chip Colwell-Chanthaphonh
Department of Anthropology
Denver Museum of Nature & Science
2001 Colorado Boulevard
Denver, CO 80205
USA
Email: Chip.C-C@dmns.org
Kathleen Adams
Professor of Anthropology
Department of Anthropology
402 Coffey Hall
Loyola University Chicago
1032 W. Sheridan Road,
Chicago, IL 60660
USA
Email: kadams@luc.edu
Any questions should be directed to the prize committee chair at jennifer.kramer@ubc.ca.
------------------------------------------------------------------
NYC-based photographers who are interested in volunteering to shoot for Open House NY should contact me! October 15-16.
Great Exhibitions in the Margins, 1851 - 1938 University of Wolverhampton,
26-27 April 2012 Research has for a long time focused on world fairs, great exhibitions or
expositions universelles in the capitals of Europe and in the large cities
of the USA. Their crucial role in communicating ideas about the identities
of the exhibiting nations (and their relation to other cultures) and in
showcasing contemporary art and design has been examined in detail.
However, in the heyday of these spectacular events - in the second half of
the nineteenth and the first half of the twentieth century - smaller
cities and regional centres, such as Liege, Poznan, Edinburgh or
Wolverhampton, staged their own 'great exhibitions' modelled on those held
in the national (or imperial) centres. Their goals, although executed on a
more modest scale, were often the same and involved the promotion and sale
of goods but also communication of ideas, ideologies and identities. These
smaller shows usually had large ambitions and tried to engage not only the
local population but also national and international audiences and
exhibitors.
This symposium turns attention to the exhibitions of arts and industries
in the regions outside the capitals and to the assumptions that lay behind
them. Its main focus will be placed on their ambitions, originality,
relationship to the ��greater�� exhibitions and, in particular,
their engagement with visual culture. The questions explored may include:
- what ambitions motivated the idea of staging an exhibition in the
particular location and what were its objectives
- what was the long-term impact of the show on the region, nationally
and internationally
- how were the arts displayed at the exhibition and what role they
played
- what specific influence did exhibitions like the Great Exhibition or
Expositions Universelles in Paris have on the exhibitions in the margins?
The symposium encourages an inter-disciplinary approach to the topic and
papers are therefore welcome from scholars in a wide range of disciplines,
including the history of art and design, history, politics, anthropology,
ethnography, cultural studies etc. A network of researchers interested in
the subject of exhibition cultures will be created through the symposium
as further academic activities on the theme are planned (a publication and
a research network). News about the symposium and the research network
will be posted at http://greatexhibitions.blogspot.com.
Please send your paper proposals of up to 250 words to Dr. Marta Filipova
at Marta.Filipova@wlv.ac.uk by 1 November 2011.
-----------------------------------------------------------
Monday, August 15, 2011
LAST CALL FOR NOMINATIONS
Ames Prize for Innovative Museum Anthropology
The Michael M. Ames Prize for Innovative Museum Anthropology is awarded annually to individuals for innovative work in museum anthropology, which is understood to entail outstanding single or multi-authored books, published catalogues, temporary and permanent exhibits, repatriation projects, collaborations with descendant communities, educational or outreach projects, multimedia works, and other endeavors. Individuals can be nominated by any member of CMA. A letter of nomination and any supporting material should accompany a copy of the evidence of the work under consideration. The CMA President will appoint a prize committee of three people at the CMA Board of Directors meeting held at the AAA Annual Meeting. The prize committee will review the works and the prize-winners will be notified in advance of the annual AAA meetings so that they can consider attending. The prize winner will be announced at the AAA Annual Meeting and presented with a certificate of the award.
Nomination:
• Deadline: SEPTEMBER 1, 2011
• The nominator must be a current CMA member in good standing
• Self-nominations are allowed
• Hard copies or electronic copies of nomination packets and materials must be sent by the nominator to each of the three prize committee members
• Nomination packets should include a cover letter and the work under consideration (or evidence of it), as well as any supporting materials, such as letters of support, media coverage, DVDs, etc.
• Nomination packets will not be returned
Evaluation Criteria:
• Creativity: Is the project a unique and creative exploration of museum anthropology’s central themes, tensions, and histories?
• Timeliness: Does the project say something important about museum anthropology’s current predicaments and unknown future?
• Depth: In what ways does the project penetrate into the complexity of material culture and the study of it through novel methods and theories?
• Impact: Does the project have the potential to make broad and lasting impacts in museum anthropology?
Process and Rules:
• A three-person prize committee of CMA members, headed by a committee chair, will be constituted by the current CMA President at the annual AAA Board of Directors meeting each year
• The committee will be formally announced by January 15 annually, with the addresses of each committee member publicized
• All nomination materials must be received by September 1, although incomplete nominations may still be considered based on the materials provided
• If no qualified nominations are made, the prize committee may elect to refrain from presenting the award for that year
Instructions:
For the 2011 competition, send one copy of the nomination packet to each committee member:
Jennifer Kramer
Curator of the Pacific Northwest
Assistant Professor of Anthropology
UBC Museum of Anthropology
6393 NW Marine Dr.
Vancouver, BC V6T 1Z2
Canada
Email: Jennifer.kramer@ubc.ca
Chip Colwell-Chanthaphonh
Department of Anthropology
Denver Museum of Nature & Science
2001 Colorado Boulevard
Denver, CO 80205
USA
Email: Chip.C-C@dmns.org
Kathleen Adams
Professor of Anthropology
Department of Anthropology
402 Coffey Hall
Loyola University Chicago
1032 W. Sheridan Road,
Chicago, IL 60660
USA
Email: kadams@luc.edu
Any questions should be directed to the prize committee chair at jennifer.kramer@ubc.ca.
------------------------------------------------------------------
NYC-based photographers who are interested in volunteering to shoot for Open House NY should contact me! October 15-16.
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